Category: advice

A Hobby Away from My Hobby

Well, it seems I can not avoid this little text box any more! I’ve been so holed up away from human contact in order to press ahead on some deadlines that I’ve sorely neglected my little corner of cyberspace.

In truth, I’ve also been taking time out for myself to visit with old friends and break the shackles from the computer and art desk for a few evenings. Sometimes we just need to unplug and get out of the darkness, especially for work-at-homers who don’t get to socialize with others as much. Sitting in the dark on the computer or art desk, while effective for producing a vampire-like pallor, is not conducive to good health in the long run!

It’s become even more apparent to me lately the subtleties of switching from an art hobbyist to a professional work-at-home type. Not only is there the lack of a social workplace, but there is also the fact that if I’m not careful, I’ll work myself into the ground! It’s an easy thing for me to think up things that need to be done and much harder to sit and relax with idle hands. I’ve always been a bit of a work-o-holic and I can guarantee those that think working at home is nothing but laziness and fun will think differently if left to their own devices! If you don’t work, you don’t get paid, you don’t get your next job, and you don’t have anyone to blame but yourself.

In order to keep myself sane these days, I’ve turned to a ‘hobby away from my hobby’. With drawing and painting my main job, I find myself sadly less willing to paint and draw on my own personal projects. My friend, who plays iphone games that pay real money recommended it, and the urge is still there, but the exhaustion can prevent me from really putting my all into personal pieces. I’d rather not work on them at all if I can’t put as much love and attention into them as I do for my professional work!

And that is where my old love of handicrafts has arrived to save the day! I was an avid friendship bracelet maker, a knitter, a pop-up book maker, and a sculptor back before painting and drawing consumed my life. If I could not create 2D things for pleasure, than I can create 3D things to appease the muse! This has led to a flurry of new jewelry experiments and a renewed interest in leathercrafting. I love to experiment and learn new things and it feels so wonderful to have an outlet that gets me away from the computer and using my hands in a more physical manner.

(The morbidly curious can go see some of my latest handicrafts here)

More importantly, I enjoy the change of pace as I have not quite gotten used to the monotony that is sleeping, working, and relaxing all in the single room that is my studio and bedroom!

So if you can’t find me at my art desk or computer these days, look for me in the beading aisles of Joanns and Michaels where I am happily immersed in saving my own sanity!

How about all of you? Work-at-Homers, how do you deal with the monotony of home life? What are your other hobbies that keep you from going insane? Or are you already insane and hoping for a change of pace?

Developing Personal Symbolism


So you’ve gotten pretty good at your medium of choice and have even collected a few good commissions under your belt. Confidence is slowly seeping in as a personal library of images begins to grow from a collection of sketches and half-formed thoughts into a gallery of images that one can truly be proud of.

And…what now?

I feel like I’m at this point lately with my artistic evolution. I’m proud of a select few of my pieces and gaining the confidence to start marketing myself as a ‘professional’ on art show forms, but I still feel like I’m not quite there yet. There’s a key ingredient missing and I’m still in the process of discovering what it is through trial and error. Lately I’ve been turning back to my roots, to the artists that made me want to draw in the past and the artists that keep me inspired to draw each and every day. They show me a glimpse of the worlds I could create and the emotions I could convey if I could just get myself there.

What is it about their art that I enjoy so much? Why am I drawn to them? Why do their pieces feel ‘finished’ to me and why do mine don’t? I turn to artists who are my contemporaries. Meeting them at shows and admiring their work is an extra kick in the butt for inspiration that makes each convention a joy. I see the work of folks like Matt Hughs, Stephanie Pui-Mun Law, and Tom Fleming that strike a deeper chord with me because of the dreamlike, and oftentimes dark ethereal quality of their work. What do they all have in common, I wonder?

And it hits me. Their work has a deep core rooted in symbolism and heavy with emblems reflective of their own stylistic choices. The root that grows from mother to fetus suggesting a piercing tactile bond. Alighting swarms of butterflies indicative of the freed soul. The bleeding apple representative of Eve’s sin. Each artist spins a tapestry of symbols unique to their own choice of colors, emblems, and compositional style.

I won’t say this is key to success for all artists, but I do know that the presence of a system of symbolism really draws me to the work of most of the artists on my favorites list. I’ve seen the embryos of symbols creeping up in my own work. The climbing, barren vines blooming with white roses at the angel’s presence. Candles burning in the dark where forgotten ideas lay undiscovered or discarded. There are so many fragments of symbols I don’t quite understand and haven’t yet fully given birth to yet. If I keep drawing and painting and observing, I’ll find them waiting in nooks and crannies of my perception, some obvious and some not.

But I suppose finding one’s own system of personal symbolism is like finding Enlightment, a fleeting perfect thing that will never last as long as the mind keeps searching for meaning in everything.

And how boring would it be if our symbols never changed or evolved at all?

The Future This Way Comes

I’ve not been able to sleep for a few nights lately. Here I am again toiling in this journal when I should be sleeping. The past few months of conventions have been a sobering, and inspiring, few. So many questions have been echoing around in my head.

Will I be able to work as an artist for a living? Will all this hard work pay off? Where is my next job going to come from? How can I improve as an artist? How can I keep up with competition when there are so many awesome people out there?

And more importantly, what’s my plan now?

That thought is a disturbing one at times because I feel like I can only half answer the question, being one who is perpetually learning the ropes of trying to make it as a professional artist. I fear the slightest thing will cause my efforts to crumble. Yet, I have to remind myself that little achievements ARE worth something, even if I’m not quite in the ‘big leagues’ just yet. The tables I’ve been running at conventions have made just enough to cover the costs. The next few fairs and conventions are bound to only improve as I learn and evolve how I want to present myself to the world.

Every flower starts with a seed and every professional started off at this level. It’s a mantra I have to repeat to myself over and over. Even when there’s a mountain of things to do that threaten to bury my resolve. The Pyramaids began with a single brick (and lots of slave labor, but I don’t quite have that luxury).

I sense something just beyond my fingertips on the horizon, some whisper of hope brushing my fingerstips. Several of the projects I have been working on are slowly eking their way into existence. Plans for new series of artwork that really push my limits as an artist are in the works, and my eventual plan to branch into authorship as an author-illustrator are beginning to take shape as well. After so many years of searching, I have finally found the stories I want to tell, even if I’m not quite sure yet how I want to portray them or if I’m skilled enough to portray them to the standard of illustrative quality I want to be at.

It feels like with all this preparation and toiling that I hardly have time to feed the creative soul. I really plan to release the beast with these new series, but there is no time for them at the present while I am working on paying projects and on organizing the business side of things.

That fear of the future can be paralyzing too, especially when you take time away from feeding your creativity to pay homage to the baser elements of being a professional. Unlike a mere job, however, this one is tied inextricably to my need to create and to be happy. If I fail, will that die too? If I delve too deeply into the ‘mechanical’ side of making money, will that creative spirit fade?

And while I dance from foot to foot trying to figure it all out, will my future pass me by in the meantime, wondering why I’m late to the party and showing up in mismatched socks?

So I do what helps me feel like I’m in control. I make lists and feel like I am achieving something as I mark each task off:

– Get Amazon shop running
– Buy art fair displays and wireless credit card charger
– Finish the semi-secret book project
– Hit the art fair world by storm and make the old ladies cry!
– Figure out where to start with this whole licensing deal
– Take over the world!
End this blog and go to bed.

Well that’s one off the list at least! What do you guys have in mind for your lists at the moment?

DragonCon Diary 09: The Aftermath

Diary Entries Thus Far:
Dragon Con Diary 09: Pre-Con Prep
Dragon Con Diary 09: To Charge or Not to Charge?
Dragon Con Diary 09: The Rush Begins
Dragon Con Diary 09: The Calm Before the Storm
Dragon Con Diary 09: Matting Madness!
Dragon Con Diary 09: The Aftermath
Dragon Con Diary 09: Video & Photo Stream


It seems I have survived my first Dragon Con as a vendor! This convention never ceases to amaze me with its enthusiastic fans, wonderful costumery, and sheer size. Statistics say that over 30,000 people venture to this convention, a number which grows every year! As for being a business venture, I have mixed feelings.

The Good

I can’t describe how heartwarming it was to meet so many people I haven’t seen in so many years! Many old college friends stopped by my table to express how happy they were to see a colleague of theirs succeed, and even bought items to show their support. I also had more fun sitting and chatting at my table with con-goers and other artists than I’ve had in years past rushing to panels, standing in mind-numbingly long lines, and otherwise running around like a chicken with its head cut off. It was so nice to just sit and talk, which I find also helps you sell your work. All in all, I must have given out over 500 of the business cards I purchased in bulk from vistaprints. I even met a couple of artists and professionals who seemed very interested in commissioning work or collaborating on future ventures. I am hoping this bodes well for my future!

The Bad

The strained economy really showed this year at the art show. Barely any pieces went to voice auction and many things did not get bid up as much as they had last year. For instance, the community art canvas where all the artists get together and draw on a huge canvas to be auctioned for charity sold for $400 last year, while this year it went for half that much. By the same token, many folks seemed to be buying at Quick Sale prices just to be sure that their item wasn’t bid up, which can be advantageous for artists.

I personally did not sell exceedingly well in my gallery panel, and yet, I had so many folks buy directly from my artist’s table where they could talk to me and be persuaded to purchase something. Unfortunately, my table items were small and did not equal the amount of profit I would’ve gotten if more expensive original art had sold. This means I’ll either have to raise prices on small stuff, lower prices on originals, come up with higher priced items for the table, OR lower my convention expenses so I can break even more easily.

The Ugly

I operated at a loss this time around thanks to some bad decisions on my part. The cost of food, a hotel room, and parking really ate into profits and I am considering driving in next year (as I am only 30-45 minutes away from the con). After going for 5 years as a non-vendor, I really have no interest in the night life and was far too exhausted after a day of peddling my wares that I really have no interest in staying at the hotel during this convention to party anymore.

I caught one concert that I enjoyed and had much fun chilling with my artist hotel roomies, but all in all, it was exhausting to try and combine vacation time with trying to sell things. With the art show hours ranging from 10am to 8pm, it was murder to stay up late and get up early for 3 days in a row after already pulling all-nighters just to get things prepped in time to stock the table, the gallery panel, AND the print shop. I just don’t have the energy to do it all anymore (oy makes me feel old saying that!).

Things I Learned:

  • GET A CREDIT CARD PROCESSOR! Many people moved on once they learned I only took cash. I suspect my sales would have been very much higher with a processor. I saw folks using their phones to process things. I may have to try that!
  • Bring your own food! It’s never priced reasonably at the hotels. We asked for a fridge, but it was never brought to us and therefore we had to subsist on overpriced sustenance.
  • People like small things that are not just flat art! I had many folks say they are avid collectors with walls too full with art and closets overflowing with art they have no room to hang anything anymore. My best selling item, hands down, were my art tile pendants. I even had requests for post cards as well. Seems to be a trend towards art they can use.
  • People want to talk to the artist. If they can connect with you on a personal level, they are more apt to buy your stuff.
  • Don’t put a business card in each print package. People buying multiple prints end up with multiple cards when it’s much easier (and cheaper) to simply use a mailing label with your info on it for each print instead.
  • Ugly pegboard can be covered with a variety of creative material! I saw people using canvas cloth with velcro so they could easily attach it to the boards. I used silver velvet which isn’t slippery, but still resilient enough to allow me to poke through it without damaging the cloth overmuch. It greatly improved the look of my panel.

    In the end, it was a sobering and enlightening convention. As with every year, I’ve left the art show feeling inspired to really pull out my big guns and do all I can to improve myself and my work.

    Till next time, Dragon Con! I will miss you and your $4 hamburgers:)

    Stay tuned for some picture and video spam from the con. It should all be processed and uploaded by the end of the week!

  • DragonCon Diary 09 – The Rush Begins

    Diary Entries Thus Far:
    Dragon Con Diary 09: Pre-Con Prep
    Dragon Con Diary 09: To Charge or Not to Charge?
    Dragon Con Diary 09: The Rush Begins
    Dragon Con Diary 09: The Calm Before the Storm
    Dragon Con Diary 09: Matting Madness!
    Dragon Con Diary 09: The Aftermath
    Dragon Con Diary 09: Video & Photo Stream


    With a little over a month until Dragon Con, it seems like it will take a miracle to get everything I’d like to do done. Now it seems I’ve been accepted into the Artist Alley of Anime Weekend Atlanta (table 38), which means I’m preparing for this convention at the same time as Dcon, since AWA is a mere week after it.

    The plan? To sell off any extra I might have leftover from dcon at AWA, but also to have enough prepared so that there will BE extra items for the pandering after Dragon Con. San Diego Comic Con has just finished so I’m hoping my artwork will be returned in time to use for the next few cons. I’m also hoping I did well so that any sales will help fund the incoming round of craziness!

    Without further ado, here are the ultra fun lists of my progress thus far!


    Things I’ve completed (Hurray!):

  • Finished my layout for my art show panel at Dragon Con. (Get a sneak peek at my layout here)
  • Applied for and waiting on my EIN (employer tax ID number) so I can be eligible for merchant status and fun things like credit card chargers
  • Ordered print and products for standing inventory and sorted it into an Access database
  • Started keeping better records of receipts and invoices in Quicken
  • Got a shiny beautiful vinyl banner for my table printed by my awesome brother, Roland.

  • Things I’m currently doing:

  • Working on a new batch of cameo and art tile necklaces
  • Sketching the centerpiece painting for my Dragon Con layout (It needs to be done by August 15th for a contest I want to enter, as well!)
  • Developing a hopefully healthy addiction to green tea

  • Things I still need to do!:

  • Work on designs for my three ceramic piggy banks for the charity auction. I’m thinking a Three Muses theme with gold leaf and rhinestones! I love some blingy pigs.
  • Fill two Itoya portfolios with pretties for people to look at
  • Ponder if I’ll need a pvc frame to hang my banner on or if I can use my backdrop set to double as a hangy thingie. Experimentation is in order.
  • Mat about 40 or more things! I’m avoiding this currently because I REALLY hate matting. I also want to play with the mats by dripping some paint on them or doing some custom designs in acrylic. Still pondering what to do!
  • Received my dcon barcodes and now ready to attach lots of sticky things to my stuff bound for Dcon’s artist alley and art show!
  • Design and print bookmark brochures for my freebie items
  • Working on a makeshift homage costume of Dawn just for kicks (because I’m masochist and don’t already have enough to do). Currently searching for a corset and preparing to make a leather mask and wrist rose.
  • Organize an unofficial little luncheon for artists at the con. I’m looking into reserving space at the Brazilian restaurant, Fire on Brazil on Saturday. Will be sending emails about this one as soon as I know more details!

  • And somewhere during all that, I’ve got to keep working on my book, which is coming along nicely! I’ve reached the halfway mark and will soon be able to reveal a little more about what has been secretly keeping me busy for the past few months. I’ve got many more plans for the future AFTER the con, but I’ll save that for another entry.

    Right now, let us drink in the glory and the caffeine of the pre-con rush!

    Ask me anything, and I’ll tell you

    I just wanted to take a moment to apologize for the sporadic blogs of late. The great deadline wheel is turning and the pressure is on for me to do a massive amount of work in little time. This means that I might not be able to post here for a little while. Good thing that I’ve been taking special creams to calm my anxiety, among other things. If you are curious to know more about good dermatology go to The Dermatology and Laser Group and check them out! 

    So while I catch up with the grindstone, I’m curious to know what you guys are interested in hearing about in later posts? Is there something you’d like to know about me? A topic you’d like to hear more on? Anything at all that you’re curious to know more about (preferably art related, but I’m open to anything that seems interesting). Since this medicine has many benefits for people all ages we will like to recommend you the Delta-8 THC vape cartridge which has been positively reviewed by both medicinal and recreational users all over the word.

    Some topics I’m kicking around are:

     

    • Websites and artists. Do’s and Don’ts
    • More Confessions – common mistakes by artists, young and old alike
    • Continuing the Resources series with my favorite references on anatomy, entering the illustration market, starting a business, etc.
    • Reviewing my favorite online art communities.
    • More character babble!

    So what do you want to hear more about? Inquiring minds want to know!

    Resources – Watercolors

    QUICKIE UPDATES

    – Check out my latest offerings at Esty. Lots of new pendants up! Plus a special offer for those on DeviantART.

    – New paintings in my Fantasy & Scifi Gallery

    + Verdant Muse
    + Angel of Purity

    Lately, I’ve been brushing up on my reading to make sure my skills are sharp for my current projects and it struck me that I should put my obsessive-compulsive researching to good use! I have a fortunate (or unfortunate) habit of collecting art books, links, and all manner of things and figured I would share what I have with you all. In turn, I hope you will suggest other good sources so I can add them to my lists!


    BOOKS ON WATERCOLOR

    Painting Weathered Buildings in Pen, Ink, and Watercolor by Claudia Nice
    Nice’s books on watercolors are some of the best I’ve seen with plenty of suggestions on how to create textures in watercolor by blending media, using rubbing alcohol, sewing threads, and plenty of unexpected things!

    Creating Textures in Pen & Ink with Watercolor by Claudia Nice
    More of the same quality as the last book with tons of illustrations and a focus on creating natural forms and textures.

    Dreamscapes: Creating Magical Angel, Faery & Mermaid Worlds In Watercolor by Stephanie Pui-Mun Law
    This is technically meant for fantasy artists, but I find that the techniques concerning texture and design are applicable to all artists interested in watercolors. Flipping through the full color pages jammed with fantastical creatures always gets me inspired. Pui-Mun’s work also possesses a particular grace that’s often absent in most fantasy-themed art instruction books,which are generally very cartoonish with generic character designs.


    ONLINE RESOURCES

    The Handprint Watercolor Guide – An excellent, extensive, and easy to understand guide about everything from brushes to paints and methods.

    The National Watercolor Society – A great place to consider joining. They host open exhibitions, activities, and other such things that are good for career building.

    WatercolorPainting.com – A handy compilation of images, info, and free tutorials.


    TUTORIALS

    Bob Davies’ Tutorials – An awesome beginner’s video tutorial by bob Davies. Be sure to check out the rest of his easy to understand tutorials on watercolors, watercolor pencils, etc. I really enjoyed his voice and laid back sense of humor as well.

    Watercolor Tutorial by Clap-San – A glimpse into doing a more light and airy style with watercolor by DeviantARTist, Clap-san.


    Want more? Keep an eye on the Resources Section of my forum. Suggest your own resources too! What are your personal favorite resources concerning watercolors?

    Talent vs. Training

    Da Vinci, Mozart, Durer…

    We all know the names of these geniuses who exist on that level above everyone else. There talent simply is, an untouchable level of perfection that we can never hope to achieve.

    Or is it?

    As a young artist, I would stare at the works of Linda Bergkvist, John William Waterhouse, and Edward Burne-Jones and think to myself, “Gosh, I will never be that good. Why am I even trying?” There was something sublime and unattainable in their art that I felt I could never reach no matter how hard I tried.

    As I grew older and wiser, I entered into the art program at university and was exposed to the flurry of line, shape, form, texture, and color that make up the rudimentary foundation for the whole of visual arts. It was true that there were some students who were better than others, but it soon became very apparent that even the worst student among us could be fantastic if they pushed themselves to practice and the best of us could get a failing grade if we became lazy and complacent and didn’t do our homework or strive to be more original in our thinking than what was required.

    Also, it wasn’t simply the act of practicing either that led to improvement, but the combination of repetition in addition to the presence of a good teacher. An effective teacher can help translate the mysteries of the universe into a language you can understand. When we train ourselves, we are left to unravel the mysteries on our own and may not learn as quickly as we would have if we had guided direction by someone who has already been through the learning process. Teachers can show us the golden moments of realization that happened for them so that we might learn from theirs and arrive at our own realizations of understanding.

    I say this because I’ve had so many other artists and friends look to me and say “I’ll never be that good,” or simply sigh and give up under the weight of what it takes for them to get from the point they’re at now to the level they want to be at. They all had the mindset that everyone was so much better, when we can be just as good if we work at it. A hard truth is that there will always be someone better than you because all artists are continuously improving, including the ones that came before and are already established in the industry.

    Personally, I am not a believer in natural talent, of people who can just draw and have a masterpiece right off the bat. I define talent less as the ability to draw well and more the ability to come up with the idea that’s out of the box and to combine that idea with the expressive act of realizing it in painting, drawing, sculpting, or what have you. The true talent is in having the patience to push yourself to study and draw again and again and again until you’ve united the idea with the act of expressing it physically.

    I have never seen a successful artist, or anyone in a creative craft for that matter, who isn’t 5% natural talent and 95% pure drive to succeed. If you have, than I guarantee they had an early exposure to that craft thanks to very encouraging parents.

    So the next time you find yourself staring at another artist’s work and feeling insignificant while placing that artist on the pedestal of “thou has has recieveth talent without effort”, remember that they’ve probably had their own sleepless nights of staring at the art of someone they respected as well and practicing until their hands cramped.

    We all have our nights of sighing and dreaming. Even now, I still sit, chin in hand, and stare at the work of Da Vinci and Kuniko Craft and think to myself “When will my time come?”

    Still, perhaps it’s the dreaming that keeps us motivated to succeed?

    Late Spring Cleaning & Other News

    With the last days of Spring nearing and the onset of Summer, it’s time for that annual compulsive urge for Spring Cleaning! Out with the old, in with the new! (Or perhaps it’s the fact that it’s getting really hot here in Georgia and I am less compelled to go outside). That means I’ve finally sat down and done some things I’ve been meaning to do. Including, but not limited to the following:

    – Finally made the following prints available as Limited Editions through Angelic Shades:

    – The very same prints are now available in my DeviantART and Zazzle shops as various products. The Zazzle post cards and calendars are even more awesome than DA’s because I can customize the backs and add text. The calendars are also available with various colors for the wire binding and in three different sizes. Here’s just a sampling of what I have available on Zazzle:


    make custom gifts at Zazzle

    – I recently sat and made a Google calendar of what convention art shows I’m hoping to participate in. There’s not much on it now, but I hope to have a full schedule soon once I do a bit MOAR research. If you know of any good shows accepting fantasy themed work, do drop me a line! Right now, I’m aiming for San Diego Comicon, Dragon Con, and Anime Weekend Atlanta for certain.

    – Speaking of Dragon Con, the great convention rush begins bright and early! I’ve never really had a table space that wasn’t sad and amateurish. I’m currently researching ways to make a winning table display that doesn’t look like I’ve propped it up on some cardboard boxes with a home printed banner. Any tips from anyone out there about what makes a successful table? So far I’ve got grid cubes and…well…that’s it.

    Still a long way to go before I’ll be ready for Dragon Con’s Artist Bazaar, but that’s why I’m starting early!

    Has the Spring Cleaning bug hit anyone else these days? I always find it refreshing to get those nagging tasks done so I can get back to the arting.

    Overcoming Graduation Fear

    This journal has been a little quiet of late thanks to that lovely time of the year I like to call the ‘graduation rush’, as well as my own pressing deadlines that have had me resembling a freshly bitten zombie.

    Sitting inside the very same hall my own graduation was held in had me thinking on how this time last year I was so full of excitement at entering a whole new world of possibility, but also overcome with a dread that I would never be able to find my place in the world.

    Graduating from college with the prospect of job searching is a fearful time, especially with the downturn in the economy. When I graduated, I was so afraid that all I would be able to find would be a retail job at a book store. Every other job in my area of study seemed to want me to work for free as an intern or was just too far away with a pay rate that would barely cover my gas costs. I felt like such a loser living at home to save money on paying rent. I was afraid of being trapped at home never able to fulfill my potential and eventually losing myself to the malaise of a retail or office job doing something I found only half interesting just so I could pay the bills.

    You’re not alone, graduates, everyone feels this way and I am here to tell you that the one thing you need to be fighting is Fear. If you are in the creative industry, I’m here to tell you it is not pretty. You will have to work even when you don’t feel like working. Particularly if you’re running your own studio or managing yourself as a freelancer, it will take time and effort and focus.

    But don’t ever let anyone tell you it’s impossible.

    If you have to get a job temporarily to pay your loans and expenses, don’t forget to dedicate a couple of hours a night to your craft and your organization. Take a weekend to work even if you’re feeling tired and just want to rest. Just because you may work slower than if you did your craft full time does not mean you’re making no progress at all. It may take longer, but it’s better than always sitting and wishing you had done something and regretting the fact you never took action for yourself.

    Do not live your life by always asking yourself “What if…”

    If you’re lacking in technical skills, try taking some online classes or night courses. If you don’t have the money, try looking up tutorials online, in magazines, or (gasp!) in that dusty old place full of old people that you never go to (aka. The Library). Nothing beats free knowledge and half the time you can learn exactly what you could from a class by reading a book, if you’re unable to afford the time and money it takes for training. There are some great e-learning courses available at SCAD and the Art Institute as well.

    And just so you know, you don’t really even need a degree to write a book, work as a painter, or as an illustrator. These professions can be self-taught, though it is always helpful to have training to aid in your learning and to make connections in the creative community. In lieu of school (if you can’t afford it), why not try joining sketch groups, societies, clubs, or online communities? Having a degree does NOT make you automatically smarter or better than those who don’t.

    On one final note, there is nothing at all wrong with living at home. Most of us feel ashamed at living at home, at first. I know I did…almost 30 and still at home! It took some swallowing of pride for me to do it. But really, there is absolutely nothing wrong with taking the logical route and staying at home longer to save money so you won’t be struggling and living from paycheck to paycheck just so you can have a place to call your own.

    This mentality can trap you in a way of living you don’t like just because you’re trying so desperately hard to preserve that little bit of space. Why do it if you have parents who love you and don’t mind you living at home so they can give you a chance at a brighter future? This really is one of the best ways to save money for the future. More and more people are doing it as the rate of students graduating with excessive loan debt continues to rise and entry level job salaries become less able to support the cost of living on one’s own.

    The world is full of opportunities if you can overcome that niggling fear of the unknown, the fear of being unable to act, and the fear of your own skills not being good enough. You’re not alone in your trepidation.

    The only one holding you back is yourself and the consequences of your actions.