Category: art

Sketch Diary – Monster Girl Spider


Jorogumo Illustration by Matthew Meyer
Jorōgumo Illustration by Matthew Meyer

Today I’ll be talking about how I created Spider for the 30 Day Monster Girl Challenge.  For my version of spider, I went with a Japanese inspired Jorōgumo.

The Jorōgumo is a mythological creature from Japanese folklore which was known for luring virile young men to their lairs, charming them with food and music, then binding them up in their webbing so they could devour them.

Jorōgumo means “binding bride” or “whore spider”, but is also a word which refers to a particular species of golden orb weaver spiders in Japan.  For more info on this fascinating folklore, check out

Tools and Techniques

For this painting, I used Photoshop CC and a Wacom Cintiq 21UX.

Concept Inspiration

I took a lot of visual inspiration from the golden orb weaver (nephila clavata) of Japan.  My Spider has many of the same markings as decorative designs on her kimono and her color palette echoes the spider’s.  Her kimono is also inspired by a bride’s as a nod to the “binding bride” namesake.


A selection from my references. I had many more of the spider from multiple angles, but I’ll save you the nightmare fodder!

References for Spider
References for Spider



Phase 1 – I doodled a rough sketch in turquoise to make it easier to see when I inked on top.Phase 1 Spider

Phase 2 – Line art created with a hard round brush.

Phase 2 Spider

Phase 3 – I laid in flat colors using the selection magic wand to select areas and Edit>Fill.

Phase 3 Spider

Phase 4 – A shadow layer set to Multiply was created that was clipped as a mask to the entire Group of colors.

Phase 4 Spider


Phase 5 – A final touch of highlights was added with white. The highlight layer set to Overlay.

Phase 5 Spider

Animated process GIF.
You can also watch a sped up time lapse video of the process here.

Animated Process GIF - Spider

For more in-depth instruction on how I created this image plus a downloadable PSD of the image, Pledge $10 and up on my Patreon to gain access to the narrated video tutorial!  You can also buy the individual tutorial separately at my Gumroad shop, but you won’t receive the extra art goodies you would by purchasing via Patreon.

You can watch a preview of the narrated tutorial here:


Top Posts of 2011

I’m stealing this idea from Hayley at Eventide because it seemed like a great way to wind down the year on this journal and to remember all that’s happened here in 2011!

I started this blog waay back in 2009, which feels like forever ago, and looking back helps me realize how this blog has grown into so many interesting pathways!

My top blog posts of this year (not including popular posts from previous years that are still some of my most highly viewed topics) aaaare:

1. Evolution of an Artist’s Alley Table Parts 1 and 2
I like to keep a record of how I display my artwork for my own purposes and so others might learn from my trial and error. These posts cover how my displays for art shows have leveled up over the years! I hope it saves ya’ll money and helps you to make your wares look their best!

2. DragonCon 2011 Con Report

The con report/review for my biggest event of the year!  I like to do a con report for every con I go to so that other artists might benefit from my working experience there.  DragonCon has always been my favorite event to go to each year and I learn something new no matter what!  There are also plenty of links to great costumes and silly videos we made in this post.
3. Ezio Mask Dev Diary (Parts 1, 2, and 3)
An in-depth walkthrough of how I created my Venetian Assassin Mask inspired by Assassin’s Creed 2.
Because everyone likes free stuff! This was my first ever book giveaway and hopefully not the last!

5. Commissions, Portfolio Reviews, and Study Sources

A comprehensive blog of study sources for traditional artists wishing to learn more digital work and those interested in game art.  Also announced my call for Portfolio Reviews in this blog (which I’m still taking on an ongoing basis!)
A glimpse at some of the many pieces I had going on for this year’s DragonCon.  Many of these pieces were sold before they were properly photographed, so this entry is the only record of them!
Another artisan craft tutorial on how to set a stone in a leather mask.
An in-depth review of my experiences with Artfire, another website much like Etsy that exists to serve the handmade market.
9. Sketch Diary: Angel of January (Parts 1, 2, 3, and 4)
An in-depth walkthrough of my piece “Angel of January” detailing the creative process, working with photo references, and learning new digital tricks.
Probably the most difficult entry for me to write, as it took admitting some of my failures of being an artist this year.  It really helped me get my thoughts in order, however, and put me in a better position to start thinking of solutions!
Now, onward to 2012!  I hope that my entries continue to provide helpful info to other creative professionals!  I write this blog not just for myself, but you, the readers, so if you know of any topics you’d like to suggest for me to cover in the coming year, please feel free to suggest them here in comments!
Till next year!

In Defense of Pretty Pictures

So lately I’ve been seeing a lot of this particular statement:

“You draw pretty pictures all day. How hard can it be?  That’s not a real job.”

Let me tell you that this particular statement on its lonesome is a fast track to getting on an artist’s bad side for many reasons.  The first being it is a product of oversimplification.

Oversimplification – It is like saying that a football player just runs up and down a field.  A basketball player runs up and down a court.  Tennis players are just hitting a ball back and forth.  A writer is just making up pretty words in random order.  By making these statements, you are grossly simplifying the process of creation and action that goes with any of these respective professions.

Sure, the end product may be a pretty picture, but let me tell you, it takes a lot of effort to make a fully realized ‘pretty picture’ with a harmonious color scheme, an interesting composition, and an internal narrative!  An artist’s job is to solidify those random elements into something more than the combination of its parts.  If this were so easy, why aren’t you doing it?  Artists are constantly learning, improving, practicing, contemplating.  If they’re not, they stagnate.  Being a successful artist is an ongoing process, and it takes effort.

To say nothing of how long it takes to photograph, document, organize, categorize, and list our work in online shops.  I do all of this with me, myself, and I.  I am my own web designer, shop manager, photographer, publicist, and cheerleader.  Nobody else.

Secondly, what defines a real job?  Is it making a six figure salary?  Is it sitting in a cubicle pretending to be busy when your boss walks by?  Is it bossing around those beneath you so you can feel important?  To me, a real job does indeed involve making money, but I personally do not want fame, self-importance, or a six figure salary.  I want a salary that’s well enough to afford hot water, the internet, a decent place to live, food, and maybe a fun game or two every once and awhile.  It may not be the best job in the world, but doing it makes me happy and brings me a pittance of a paycheck. For me, that defines my ‘real job’.  I could go be a janitor and probably make more (with benefits) but I would probably be working as hard and less happy.  Every job has its own complications and positive aspects, no matter how easy or hard you think it is.  It’s all in how we balance our own personal expectations.

For now, this balance works for me and that is my prerogative.  We can’t forget, also, that there’s a chance that eventually I will be making six figures if I play my cards right and work hard, but that is not the most important thing in my set of life goals.  Most artists don’t go into art to make gobs of money, that’s for sure!

Now let’s get back to that ‘pretty picture’ statement again.  So yes, I draw angels, elves, and ‘pretty’ things.  Do they have any deep societal meaning?  Well, maybe not on the surface.  They generally aren’t making statements on hot topics and political issues, but is the aim of bringing enjoyment to those who like to look at pretty shiny things (or read fantasy books, or watch fantasy movies, or read fiction in general) really so cheap of a goal? Have we become so caught up in the haste of our society that we can’t stop to let our imaginations wander anymore?  Anything that distracts us from the goal of making money is a ‘waste of our time’?

The next time you feel like making this sort of statement either to an artist’s face or behind their backs, consider this – If being an Artist isn’t a real job, then where does every single bit of advertising, book cover, TV show, blockbuster movie, the music on the radio, and yes even the very Fonts we look at every day come from?  How can the world be surrounded by Art all the time and not appreciate the work that goes behind it?  It’s baffling to me.  Maybe we’re spoiled by the fact we see it every day and know little behind the process and hard work that goes into it?

I shudder to think what the world would be like if that Zombie Apocalypse happens and we are left without the ability to fill our world with these amazing things we take for granted.  It will be a dark world, indeed!

But who knows, maybe we’d have an appreciation for things then?  That would be something…

Color Pencil Tutorial Suggestions?

So it’s been a long while since I first uploaded my Color Pencil Tools tutorial. It’s about time I got off my duff and made some new videos! I’m doing this for all you folks out there, so what would you like to know about color pencils and working with them? Here are a few topics I’m pondering thus far:

=> Coloring Skin (including different tones of skin)
=> Smooth Blending with Colorless Blenders
=> Coloring Hair
=> Coloring Feathers
=> Mixing Media with Color Pencils

Disclaimer! These tutorials will be covering the way I personally work, meaning that I may not do things by the book or how other artists do them. It may be a little while before I can produce these videos so I wanted to start gathering thoughts now!

Guest Post – Introductions and Trading Spaces

I’m excited to announce my Wednesday posts will be over at Eventide Unmasked while my good friend and writer, Hayley E. Lavik, is off on vacation in England! Join the discussion on literary interests, artistic minds, character creation, world-building, and more! This week’s topic: The link between artists and writers.

Introductions and Trading Spaces

Well met and hello, all! I hope you don’t mind, but I’ve kidnapped Hayley’s Wednesdays while she’s on her folklore hunting adventure in England. I feel much like Mr. Rogers coming in, adjusting his favorite sweater, and settling on a chair to tell a story when I’m here, but I’ll refrain from singing about neighbors for the good of us all.

Hayley briefly introduced me, but I wanted to divulge more about how the heck I’ve come to kidnap her blog. I was a starving caffeinated college student double-majoring in English and Studio Art when I first met Mrs. Lavik through random conversing about lore, logic, and anime through the backways of DeviantART. I have since become one of the apparently many caffeinated sardonic women with which she spends her late night conversation. We have done much scheming, plotting, and debating since we met those many years ago, much of which has bled over into each other’s blog discussions. We share a similar love of empathetic antagonists, character tormenting, and folkloric research.

(Read on at the full blog post)

Confessions of an Artist 5 – Why Sketch?

It’s been a long time since my last confession, where we talked about the nightmares of storing art incorrectly. Lately, I’ve come to realize a bad habit about myself that I’m desperately trying to break.

I don’t sketch.

By ‘don’t sketch’ I mean, instead of doing thumbnails or studies, I like to hop right onto the canvas and sketch, let the drawing go where it wants to, and then paint away! While this may work for some folks, more often than not, it’s led to the too-late realization of compositional problems, anatomy errors, or dysfunctional color schemes that made me not as satisfied with my work as I wanted to be or should be.

You may ask yourself, why take the time to sketch when you already know what you want to do? Why bother with sketching at all when it’s not guaranteed that you’ll use a sketch for anything? Just go straight to the finish line!

Only recently have I started to do more thumbnail drawings to figure out the best composition for an idea (a practice my college professors always pushed on me and one which I always rebelled against). But I’m not on my own time anymore, I’m on the clock. When my work is for a company, I just can’t let the pencil loose and trust it’s going to be the best it can be. I have more than just myself to satisfy and even then I shouldn’t just let my standards slip when I AM working for myself, either because I’m in a rush or just don’t feel like doing preliminary sketches thanks to the impatient niggling of my muse.

This realization was especially reinforced when I saw Stephanie Pui-Mun Law’s Major Arcana Tarot book, a lovely compilation including her thought processes and the many sketch revisions she did for each card in the Majors suit. I was amazed by the fact she went through so many sketches before arriving at any single figure.

For instance, in the Justice card, she went through multiple figural sketches. In each sketch, she evolved her symbols and improved her composition, from a sword to a feather (for truth), from a classical blindfolded Justice to a figure with blind eyes. Sketching and toying with the concept helped her to arrive at something more profound and dynamic, in the end, than it would have been if she merely sped through the concept. Even then, many of her ‘discarded’ sketches ended up being used for later work, making it even more worth it to play around with sketch ideas because it helped to prompt even more ideas for future artwork.

So while I may get fussy at the idea of not being able to explode into drawing the final composition that’s bursting to get out of my head, sometimes the muse needs to sloow down. Enjoy a nice cup of tea and coax that coy idea out with thumbnails and sweet nothings.

How about yourselves? Do you find it hard to sketch? How do you go about developing your ideas for a concept? My confessional is always open!

“Justice” by Stephanie Pui-Mun Law

Evolution of a Series – The Christmas Project

To point out a strange fact, I have always been a sort of ‘one shot’ scene artist. In the past, I was prone to drawing character portraits or specific scenes with no sequence, all art that could be digested at once with little baring on the other images I might draw of the same characters. Now, it seems, a natural evolution of my artistic development has been a tendency to start thinking in themes, or series.

From a business standpoint, series are more marketable with the appeal of being able to buy a ‘set’ or to identify with that part of a series that represents you (ie. people love a birthstone series because that means there’s something personal involved in the symbolism of a series that they can get for themselves or gift to a loved one). From an artist’s standpoint, I’m enjoying the challenge of presenting a set of art with consistent quality that utilizes strong symbols and the potential to develop art with evolving symbolism.

My earliest attempt at such an undertaking has been a project that started out with indistinct roots in 2006. I was short on cash for the holidays and aching at the thought that I would be unable to provide any of the gifts that my loved ones deserved. I did, however, have some metallic cardstock and color pencils to my name. And so, in a torrent of sleepless nights and sketching, the first of the ongoing Christmas Project began.

Christmas 2006 – Angel of Noel

I never have been one for the traditional images of Santa, reindeer, and nativities for Christmas. For me, these images feel so overused and have lost the impact that I think more primal symbols such as holly, poinsettia, and the deep rich greens and reds of winter festivals have. The first of this series came alive with the realization that poinsettia flowers come in a range of simple, but striking colors that make for an elegant backdrop for this angel, who I wanted to channel maternal beauty and nurturing with a non-denominational appeal. She wears the veil of a holy maiden and the holly garland of a celebrator, her eyes closed as she honors the quiet elegance of the flowers and candlelight. I was also inspired by the Mexican legend behind poinsettia which speaks of two children who did not have the money to honor baby Jesus at their church’s nativity. Being poor, they could only manage to pick weeds to decorate the manger. The other children chided them terribly, but the weeds burst into flames that turned into a beautiful red plant, creating the beautiful miracle of poinsettia, which are known as “the flame leaf” or “flower of the holy night”.

Christmas 2007 – Holiday Nouveau

The next in the series was my first concerted effort to pay homage to one of my favorite masters of illustration, Alphonse Mucha. My favored holly and poinsettia are present, but portrayed in the decorative style of the art nouveau movement, which gives everything the sleek decorative flare that only crisp lines and soft color can. Snow-laden evergreen branches have worked their way in as well, as I’ve always enjoyed the pristine tranquility of snow hinting at the green boughs underneath. So peaceful and reminiscent of my days in Colorado, where snow covered everything, a rare sight around these parts. Interestingly enough, I discovered the difference between my style of anatomy and Mucha’s shows itself in the fact that the shoulders of his ladies are less muscled and more sloping with rounded subtle chins. It seems I do so love my athletic swimmer’s build when working with the female figure!

Christmas 2008 – Advent Angel

Another angel took flight in 2008, where I found inspiration in the amalgamation of symbols from the lovely birdflowers and birthstone series by Brenda Lyons and Jessica Douglas, who both struck a chord with me in combining the flowers and birthstones for each month with an angelic figure. This is perhaps the most symbol-heavy of the Christmas series with its original purpose serving as the first of what was to be a birthstone angel series. The Blue Topaz and Turquoise stones of December took form in the angel’s dual-toned wings. In the window behind her, motifs combining the flowers of December, the Narcissus, holly, and poinsettia, spiral around the center with narcissus growing at her feet. She also wears the crown of Saint Lucia, a saint celebrated in Scandinavian nations (and others) by a feast day near the winter solstice where young girls dress with a candlelit crown and bring sweets in a procession. A running theme in this series hearkens back to the idea of Winter as a gray season where the pleasures of good company and a fire stave off the cold. I also can’t imagine a Christmas without the presence of white candles and lights, one of my favorite decorative motifs for its simple elegance. However, I’ve decided to scrap this approach as the background feels too open and empty. I am sensing massive stained glass panels in my future!

Christmas 2009 – December’s Window

I loved the window behind the angel in “Advent Angel” too much to let it slip into obscurity, so I decided to feature it prominently in this year’s card, which seems like a paring down of all the things which have come before. I wanted to channel the sense of stillness in winter with the light of celebration, good company, and reverence for the life that lay dormant in the snow. There are no figures but for the cardinal, who thrives even in the gray winters. The window stands as a guide and a portal for all those who might appreciate the meditative feeling of decoration that light and shape can bring us. Again, the motifs of narcissus, poinsettia, and holly figure prominently.

What’s Next?

In keeping with more subtle, non-traditional symbols, I hope to work in more of the feeling of warmth in company or perhaps even more traditional, not widely known versions of Saint Nick. Christmas is a surprisingly varied and symbol-rich holiday and I hope to keep this series going for as long as I am able! It will be a challenge to see if I can continue to make each one unique as the years go on.

If you like these images and want to use them for your own celebrations, greeting cards and post cards are available at my Zazzle shop. I hope you’ve enjoyed this walk through the creative process and that you’ll join me for future looks into the creative thought behind other series in the works.

May your holiday seasons be filled with joy and light!

Beautiful Monstrosities

“Deep into that darkness peering, long I stood there, wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before.”
– Edgar Allan Poe, The Raven

I have once seen a vision of a woman stripped of her hopes and dreams, left with nothing but the purist of suffering and endless weeks of solitude. They marked her with the holly of hopelessness and tattooed her with the symbols of shame. When she was at that abyss’ edge between wishing for death and longing for peace, they took her from her wooden cage. Singing songs of prayer, they nailed her hands upon the floor. There, she dreams, dreams forever more.

But the dreaming has ended and the nightmares have begun, for the Sleeping Priestess will not lie in peace.

If you don’t know this scene, than you haven’t played Fatal Frame 3, one of my favorite video games of all time. You may not know this about me, but I am an avid fan of horror video games (not survival horror, but psychological horror). Silly, I know, considering I tend to draw such pristine and shiny things as angels. It’s around this time of year that I whip out my collection of Silent Hill and Fatal Frame games and let the shimmering worlds of nightmares, dripping walls, and deep, disturbing folklore soak into my bones.

I wonder sometimes why we are drawn to such images of the grotesque? Why on earth would I enjoy a game where the walls crawl with something that looks disturbingly like entrails or the ghost of a poor woman who was once sacrificed lurches inexorably towards me with an accursed touch? Why should I enjoy such a game rather than enjoying online casino game in a top rated casino and spending my time winning huge amount of money. There is an inescapable artistry to it that disturbs and fascinates me. Enthralling are these games like Silent Hill that can tell the story of ones dreams and nightmares affecting the real world for one like myself who has had plenty of dreams and nightmares plaguing them in the wee hours.

I don’t think it’s too much of a leap to ask ourselves the same question about macabre art and literature. From the works of Tim Burton and Neil Gaiman to some of the more grotesque perversions of Dali and the Surrealists, how can we look at things which are not considered ‘beautiful’ and find them fascinating? It seems against common sense, but I could stare at Dali’s work for hours pondering what tormented dreams he must have had, or curl up with Edgar Allan Poe’s stories and delight in all the images of masks and swirling dancers falling to the floor that Masque of the Red Death conjures for me.

The macabre is not for everyone, but there is certainly an audience for it, including myself. I find I am particularly fascinated by those stories that speak of the human spirit’s endearing ability to affect the living, even after death, or that terrifying potential of the mind to create illogical nightmares that feel so real while we’re having them. Much of the artwork and writing I have done which is not so well known are those which depict lucid dreams and nightmares, which somehow easily bridge into horror more than anything else. It’s a fascination with dreams and the mood of dreaming that really attract me to certain types of horror. I’m also a sucker for a good mystery, which horror stories of the psychological nature generally center around.

That’s my theory, anyways. I’m curious to know what yours are? Do you have a penchant for the macabre? Or are you left wondering why on earth anyone would enjoy such a thing?

Share with me your dark little secrets and remember to have a safe and spooky Halloween!

Image by Tecmo Ltd.

Killing the Muse

I must begin this journal with a disclaimer. This topic is perhaps one of the topics I am most passionate about, so please forgive my fervor if any of this offends you.

I’ve noticed a pattern lately, particularly at anime conventions, where fellow artists set up their tables, toss up a “will work for food” sign, and litter their booths with fan art because that is what sells at anime cons. There seems an atmosphere of desperation that’s almost sweltering with the $10 originals and $5 quickie sketches while the rest of us who are charging what we’re worth are left to the mercy of undercut prices. Besides selling yourself short, the other half of what bothers me so much about this practice is the sheer hopelessness of these artists. Not every artist in an anime convention artist alley is this way, but it’s something I notice more at anime conventions in general.

Don’t get me wrong, I enjoy a well crafted and well thought out homage to anime. Selling fan art is not the problem, it’s the intention behind selling the fan art. I have gotten the response from some of these artists about how they can’t sell their original work because it’s fluffy and idealistic to think one can make money off of drawing what they love. My response to them is that if you’re looking for a quick bang for your buck, the art world is not the one for you. For one, it is certainly not guaranteed for many of us to make money right out of school, though I have heard of it happening. Success in any creative profession is about doing what you love and standing out in the crowd for it. Doing what you love and doing it well…because there are a thousand others trying to do the same thing. If you have no passion, you’re more than likely to be a flicker next to a candle in the crowd.

(EDIT for clarification) For example, if you’re selling fan art in the artist alley, what will a customer be more likely to buy? The half-inspired doodle of Sasuke or the inspired, or at the very least masterfully crafted, image of Sasuke that really says something about the character and your love of him? This same concept can be applied to the creative field as a whole.

I used to be in the same position where I thought I could not make money with the subjects I enjoyed (an unfortunate byproduct of a gallery-focused fine art education). That is, until I started talking to more professionals in my field (and in other creative fields as well, for that matter!). Every single one of them has told me the same thing during interviews:

“It’s scary relying on the uncertain, but do what you love and they will find you. Doing anything else is a way to get stuck designing cereal boxes till you don’t care anymore.”

If you market yourself to draw the popular things you don’t even remotely enjoy drawing, you are going to burn out quick because that is all anyone will ever want to hire you for. This business takes patience, focus, and self-motivation. Forcing yourself into it just to make a buck generally leads to sub-par work because you are not challenging yourself or fostering your inspiration and you just cannot compete with other people in the same field who genuinely enjoy and love what they’re doing.

I am not naive enough to think an artist or creative individual will always be inspired for every single job they’re hired for, but if these sorts of jobs become more numerous than the ones you enjoy in even the slightest capacity, than something’s gotta give. Why? Why torture yourself if you don’t enjoy it even a little anymore? There must be a breaking point where you discover just how much your creativity is worth to you.

Why not just get another job that’ll help pay the bills, and then do art on the side because you can truly enjoy it rather than be held prisoner by the motivation of money? Don’t kill yourself! Don’t kill your muse! If the single motivation of your art is to make money without any enjoyment of what you’re doing whatsoever, than I can almost guarantee you that it is not worth it.

(Another EDIT for clarification XD) However, as Brenda pointed out in the comments, if making money is your enjoyment and that doesn’t harm your inspiration or quality of work, than more power to you! I realize not all people operate the same way I do.

My plea to you, the desperate undercutting artists, the money focused fan art peddlers who are afraid to explore their limits, the hopeless and uninspired who feel trapped by their profession, you have options. There is no shame in guarding your inspiration as a hobby if you cannot do it as a profession. There is no dishonor in doing such a thing.

Please stop torturing yourselves! It is painful to watch…

Terrible Dawn + Announcements

“Terrible Dawn”
5×7 Inches, Watercolor & Color Pencil on Illustration Board

A brilliant blade flashes in the deepest dark. All who fear the light know her, for she is the Terrible Dawn, the slaughterer of demons and the blinding brilliance of Heaven.

She was really only meant to be a ‘minor’ illustration, but she just stole my focus and demanded more attention than a mere day. Could it be her resemblance to my muse, Aurora? She’s almost what I imagine Aurora to look like if she were transmogrified into an angel. Either way, this was much fun and an excellent test run of the Series 500 Wet Media Board from Strathmore.

All in all, it seems this board is an excellent upgrade from earlier series. It takes abuse well with wet-in-wet techniques, absorbs hue quicker and more effectively, and seems a general improvement all around over the regular cold press illustration board I’ve been using. Color pencil took to the surface just as well as it had with previous cold press board. I had some minor issues near the figure’s cheek bone where the line became ragged because the surface of the paper began to peel up and create tiny hairs, but I think this issue can be avoided if one waits more thoroughly for paper to dry between layers (I’m an impatient cuss). I like this new board, but will have to experiment more with future pieces to test its full capabilities.

In other news, after much toil and effort and caffeinated nights, I’m proud to release the new Amazon webstore of Angelic Shades! I’ll slowly be migrating the current offerings on my website over to this new webstore over the next few months. Since Amazon doesn’t allow bewbies, any mature rated items will be moving over to my Etsy shop.

Want to keep abreast of new items and offerings? Sign up for my mailing list or keep an eye on the News section of my forum.

All plugging aside, I expect to write a review of my experiences with the Amazon webstore interface once I have gotten a better feel for its expansive features. My first impression is that this shop setup is not for beginners. There’s a bit of a learning curve with all it’s features, not to mention a great deal of setting up you have to have as a business to even be eligible to use the Amazon format.

Till next time, Bat fans!