Month: September 2009

Are Artists Crazy?


Now attempting to get this blog back onto it’s usual Wednesday/Sunday schedule. I’ve been so tied up in conventions and deadlines I’ve neglected any sort of regular schedule. But I’m back and ready to ramble!

For this week, I thought I’d bring to light an amusing conversation between my boyfriend and I. He has come to the conclusion from dating me that…artists are crazy.

Not like cut up your husband and serve them as pie crazy, but just on a different wavelength than most usual people. Of course, my own point of view is a little different, stemming from my idea that talent is something that is more trained than inherent. My defense against artists being loonies is that we’re no different than anyone else with a passion for what they love to do. Is passion so rare these days that it’s considered crazy?

Artists, and creative people in general, live their lives with one eye open always seeking to learn, improve, or to see something unique in the mundane. Like mathematicians, we seek symbols and some form of order in chaos that’s expressible by the living hand, the writing, the painting, or the pen. I’m no different than my boyfriend, who spends hours obsessing over countless numbered sequences, hardware compatibility issues, and the tiny systems of circuits that form the interconnected body of the computer. He finds joy in that kind of chaos. I merely obsess over how to better capture human expression, the methods for mixing colors, and how to build better compositions.

Spending hours trying to figure out why a computer won’t accept a wireless router signal, now THAT’s crazy to me. I’d rather just toss it at my boyfriend and be done with it. Having that amount of insane patience is crazy, to me.

Yet even in the movies, I see the stereotypes. Artists are the tragic figures, the aloof lovers, the serial killers, the crazies with their heads in the clouds. Are we really that scary? Does it taking cutting off one’s ear or dying of a drug overdose to truly complete our identities as artists? Or can we be just as approachable as other normal people?

And yet, I can understand the idea that artists just don’t fit into certain social situations. During my training as an Arts Administrator, it was amusing to see the differences between accountants, actors, and art directors. There’s a definite shift in focus from ‘budget’ to ‘vision’ and an effort to balance sense and creativity into a cohesive whole. Similarly, I have many relatives who just don’t understand why I’m willing to take a dangerous path of uncertain paychecks over using my perfectly competent computer skills to pursue working as a secretary instead.

I suppose I like the danger of the creative edge and the ability to do something I truly love. Drawing is like a drug for me. If I don’t do it within three days, I start to get antsy and doodle on napkins. If I can’t do something creative with myself, I feel pretty useless. I can’t sit and watch TV at night without having my hands busy with a project. I don’t listen to music unless it inspires some sort of mental image for a story or a drawing (though on occasion I’ll love music just for its mood or beat).

Perhaps that’s what makes me that non-homicidal brand of ‘crazy’? I notice I tend to be drawn towards other people of the same creative spirit, or those who have a similar appreciation for the side of life that invites one to think beyond the norm. I have friends who aren’t artists and friends who are, but all of us share a love for the odd side of things.

For me, where’s the fun in life if you’re just striving to survive? The human mind is capable of so much more.

Maybe I am a little crazy. I look up at the sky and think what a lovely shade of Cobalt Blue or Light Cerulean it is today.

Perhaps that is not normal?

What sorts of stereotypes of creative people have you seen or experienced? How do your significant others deal with your creative side? Let us talk and be mad together.

The Future This Way Comes

I’ve not been able to sleep for a few nights lately. Here I am again toiling in this journal when I should be sleeping. The past few months of conventions have been a sobering, and inspiring, few. So many questions have been echoing around in my head.

Will I be able to work as an artist for a living? Will all this hard work pay off? Where is my next job going to come from? How can I improve as an artist? How can I keep up with competition when there are so many awesome people out there?

And more importantly, what’s my plan now?

That thought is a disturbing one at times because I feel like I can only half answer the question, being one who is perpetually learning the ropes of trying to make it as a professional artist. I fear the slightest thing will cause my efforts to crumble. Yet, I have to remind myself that little achievements ARE worth something, even if I’m not quite in the ‘big leagues’ just yet. The tables I’ve been running at conventions have made just enough to cover the costs. The next few fairs and conventions are bound to only improve as I learn and evolve how I want to present myself to the world.

Every flower starts with a seed and every professional started off at this level. It’s a mantra I have to repeat to myself over and over. Even when there’s a mountain of things to do that threaten to bury my resolve. The Pyramaids began with a single brick (and lots of slave labor, but I don’t quite have that luxury).

I sense something just beyond my fingertips on the horizon, some whisper of hope brushing my fingerstips. Several of the projects I have been working on are slowly eking their way into existence. Plans for new series of artwork that really push my limits as an artist are in the works, and my eventual plan to branch into authorship as an author-illustrator are beginning to take shape as well. After so many years of searching, I have finally found the stories I want to tell, even if I’m not quite sure yet how I want to portray them or if I’m skilled enough to portray them to the standard of illustrative quality I want to be at.

It feels like with all this preparation and toiling that I hardly have time to feed the creative soul. I really plan to release the beast with these new series, but there is no time for them at the present while I am working on paying projects and on organizing the business side of things.

That fear of the future can be paralyzing too, especially when you take time away from feeding your creativity to pay homage to the baser elements of being a professional. Unlike a mere job, however, this one is tied inextricably to my need to create and to be happy. If I fail, will that die too? If I delve too deeply into the ‘mechanical’ side of making money, will that creative spirit fade?

And while I dance from foot to foot trying to figure it all out, will my future pass me by in the meantime, wondering why I’m late to the party and showing up in mismatched socks?

So I do what helps me feel like I’m in control. I make lists and feel like I am achieving something as I mark each task off:

– Get Amazon shop running
– Buy art fair displays and wireless credit card charger
– Finish the semi-secret book project
– Hit the art fair world by storm and make the old ladies cry!
– Figure out where to start with this whole licensing deal
– Take over the world!
End this blog and go to bed.

Well that’s one off the list at least! What do you guys have in mind for your lists at the moment?

The Evolution of an Artist’s Alley Table

(My display has since leveled up! See the new display.)


After the last couple of conventions, it seems my artist’s alley table is growing and evolving into something grand! I am always seeking ways to improve and welcome any suggestions you might have.

It started out at an Anime Weekend Atlanta of years ago where I just tossed unmatted and unbagged prints on the table and sold them for $5-$10 with a banner hung out front. Then we had the Dragon Con display this year with an elevated banner and slightly more offerings of necklaces and matted prints.

Now, we have the Anime Weekend Atlanta display where we pulled out a few more stops to make our display the best it could be. Here’s a run-down of what we did.

The Elements of an Artist’s Alley Table

1. One Sleep Deprived Artist – Complete with circles under the eyes and friendly smile. Customers like to see the artist at the table so they can talk to you personally and maybe watch you while you’re working on a project. People like to be close to that creative flow and are generally curious about ‘the life’. ($100,000,000 or 100 steak dinners)

2. Professionaly Printed Vinyl Banner – Printed at my local sign shop by my wonderful brother over at Graphic Signs Atlanta. I chose vinyl because it can take abuse and weather the elements. It’s guaranteed to last longer than a paper sign. (FREE, generally $6 per square foot)

3. Backdrop Display – This is actually a piece of photography equipment called a backdrop kit. The poles break down and it comes with a handy carrying case to store it all in. It is relatively lightweight. I generally use this set for my stock photography needs. Bought from eBay. ($85)

4. Jewelry Stand – My dad made this wood stand ages ago and I stole it from my parents’ bedroom. I always wanted to order a 14k gold necklace to keep inside it but never could get the money together. You can buy cute tree style stands from eBay for pretty low prices. Having a stand for necklaces helps draw in the crowd with more visibility for your shinies. (FREE, generally $25 for a nice one, less for a wire one)

5. Small Prints – I like to have these out for folks who don’t have a large budget for buying the larger pieces. At only $5 a pop, they’re a colorful way to help fill up empty space on the table and provide a low end price option.

6. 3 Tiered Magazine Display – Purchased from displays2go.com. Instead of magazines, I put in matted prints. People enjoyed rifling through it, but I want to invest in one with deeper compartments with more room for people to flip through. ($30)

7. Greeting Card Rotating Rack – Purchased from displays2go.com. I used this to display matted 4×6 prints and unmatted 5x7s which fit snuggly in the slots. It’s amazing how a rack like this can give your work a more professional feel. This is pretty lightweight for transport, if a bit bulky. ($35)

8. Canvas Bin – Purchased at Big Lots. I used this to display more large prints to rifle through for those who wanted something a little more beefy than the 5×7’s. ($15)

9. Cube Grid Walls – Another item that was donated to me. These grid walls were a lifesaver for making my display project upwards more. They stack easily when broken down and give you plenty of space to play with as far as hanging art. I had only 6 cubes, but imagine what you could do with more! (FREE, generally $16 for 6 cube set)

What am I missing?

Display Portfolio – I didn’t have it out in this photo, but I had a portfolio of my best work laying out on the table housed in an Itoya notebook with a custom printed spine. ($8)

All in All…
I feel the weakness of this display setup is that it is slightly bulky, but the ability to project upwards I feel is a necessary one for my tastes. I’ve also been told carrying primarily more expensive items forces people to buy those instead and that a lighter setup is easier to do. My experiences have shown this does not work for my particular set of items and audience, though this lighter setup with more expensive items may work at conventions where customers are more willing to pay for top dollar items. At smaller cons, customers seem to like an option for smaller budgets.

The next big step in my display campaign is to figure out what I need for a large 10 x 10 foot space, the standard floor plot for art fair space. I sense canvas panels, tents, and god knows what else in my future!

Questions? Comments? Suggestions? Feel free to drop ’em here!

Anime Weekend Atlanta

awa 15 ad card Pictures, Images and Photos

With the lingering malaise of Dragon Con still upon me, I’m preparing for yet another convention! This time, it’s Anime Weekend Atlanta, September 18 – 20, at the Renaissance Waverly Hotel and Cobb Galleria Centre in Atlanta, Georgia.

I’ve not been a part of the Artist Alley for a few years now (though some of you may recall my 2 year stint years ago when I was just getting my convention legs). AWA was my first convention and I’m amazed at how much it’s grown since I was first peddling cheap prints and cheap frames. I’m hoping to make my big return to the new, improved AWA Artist Alley with so much more to bring to the table than what I had when I first started there.

I will have more custom glass tile art pendants, double matted signed prints, unmatted signed prints, and mousepads. The catchphrase I mentioned earlier is still active, if you’re wanting a 5% discount. No one even mentioned it at Dragon Con *sadface* Is it so hard to admit that Elves smell better?

Not too far from my table will be the AWA art show, which will be in the same room as the AA this year. I will have more original art on display and double matted signed prints there, if you want a chance at a deal with competitive auction pricing.

Please note the following hours for this year’s AA:

Friday: 9AM-11PM
Saturday: 8AM-11PM
Sunday: 8AM-4PM

To preserve my sanity, I will only be staying till 8pm on Friday and Saturday and the whole day on Sunday. Also, I’ll be running a panel on how to paint skin tones in watercolor in room 106 at 8pm on Friday.

The fun never ends in convention-land! I think I’m getting too old for this already!

DragonCon Diary 09 – Video & Photo Stream

Diary Entries Thus Far:
Dragon Con Diary 09: Pre-Con Prep
Dragon Con Diary 09: To Charge or Not to Charge?
Dragon Con Diary 09: The Rush Begins
Dragon Con Diary 09: The Calm Before the Storm
Dragon Con Diary 09: Matting Madness!
Dragon Con Diary 09: The Aftermath
Dragon Con Diary 09: Video & Photo Stream


Here’s the promised image stream of this year’s Dragon Con!

Ang’s Artist’s Bazaar Table & Gallery Panel Display


Ang's Gallery Panel Display for Dragon Con 2009 Ang's Table Display for Dragon Con 2009

It’s hard to see all of my table, but it is adorned with mousepads, necklaces, calendars, a tiered rack filled with matted 5×7 prints, and a spinning rack with a mix of matted 4×6 prints and unmatted 5×7 prints at varying prices. The awesome vinyl banner was courtesy of my talented brother, Roland, of Graphic Signs Atlanta. There’s the silver velvet I talked about in my last post which proved a perfect backdrop for the art. It had just enough give to allow me to poke through, but wasn’t too slippery as to come out of its clamps. Next year, I think I’ll have a bit of ivy to cover the top, or clear clips, if I can find them.

And here’s the video footage I took at the con. I swear, that beer is not mine!

The 2009 Dragon Con Parade – Part 1, Part 2, Part 3, Part 4

Dragon Con Clips: The Crowd, Conan, & Not My Beer!

This isn’t my video, but it’s amusing anyways! Alien Dances the Thriller at Dragon Con

Fun bit of info, my mother danced the Thriller this year to help break the world record. She is officially my hero! (I was sick and exhausted at the time so had to nap during the final recital :< ) Next year, I WILL be there to dance! We’ll break our own record of 903 for sure!

DragonCon Diary 09: The Aftermath

Diary Entries Thus Far:
Dragon Con Diary 09: Pre-Con Prep
Dragon Con Diary 09: To Charge or Not to Charge?
Dragon Con Diary 09: The Rush Begins
Dragon Con Diary 09: The Calm Before the Storm
Dragon Con Diary 09: Matting Madness!
Dragon Con Diary 09: The Aftermath
Dragon Con Diary 09: Video & Photo Stream


It seems I have survived my first Dragon Con as a vendor! This convention never ceases to amaze me with its enthusiastic fans, wonderful costumery, and sheer size. Statistics say that over 30,000 people venture to this convention, a number which grows every year! As for being a business venture, I have mixed feelings.

The Good

I can’t describe how heartwarming it was to meet so many people I haven’t seen in so many years! Many old college friends stopped by my table to express how happy they were to see a colleague of theirs succeed, and even bought items to show their support. I also had more fun sitting and chatting at my table with con-goers and other artists than I’ve had in years past rushing to panels, standing in mind-numbingly long lines, and otherwise running around like a chicken with its head cut off. It was so nice to just sit and talk, which I find also helps you sell your work. All in all, I must have given out over 500 of the business cards I purchased in bulk from vistaprints. I even met a couple of artists and professionals who seemed very interested in commissioning work or collaborating on future ventures. I am hoping this bodes well for my future!

The Bad

The strained economy really showed this year at the art show. Barely any pieces went to voice auction and many things did not get bid up as much as they had last year. For instance, the community art canvas where all the artists get together and draw on a huge canvas to be auctioned for charity sold for $400 last year, while this year it went for half that much. By the same token, many folks seemed to be buying at Quick Sale prices just to be sure that their item wasn’t bid up, which can be advantageous for artists.

I personally did not sell exceedingly well in my gallery panel, and yet, I had so many folks buy directly from my artist’s table where they could talk to me and be persuaded to purchase something. Unfortunately, my table items were small and did not equal the amount of profit I would’ve gotten if more expensive original art had sold. This means I’ll either have to raise prices on small stuff, lower prices on originals, come up with higher priced items for the table, OR lower my convention expenses so I can break even more easily.

The Ugly

I operated at a loss this time around thanks to some bad decisions on my part. The cost of food, a hotel room, and parking really ate into profits and I am considering driving in next year (as I am only 30-45 minutes away from the con). After going for 5 years as a non-vendor, I really have no interest in the night life and was far too exhausted after a day of peddling my wares that I really have no interest in staying at the hotel during this convention to party anymore.

I caught one concert that I enjoyed and had much fun chilling with my artist hotel roomies, but all in all, it was exhausting to try and combine vacation time with trying to sell things. With the art show hours ranging from 10am to 8pm, it was murder to stay up late and get up early for 3 days in a row after already pulling all-nighters just to get things prepped in time to stock the table, the gallery panel, AND the print shop. I just don’t have the energy to do it all anymore (oy makes me feel old saying that!).

Things I Learned:

  • GET A CREDIT CARD PROCESSOR! Many people moved on once they learned I only took cash. I suspect my sales would have been very much higher with a processor. I saw folks using their phones to process things. I may have to try that!
  • Bring your own food! It’s never priced reasonably at the hotels. We asked for a fridge, but it was never brought to us and therefore we had to subsist on overpriced sustenance.
  • People like small things that are not just flat art! I had many folks say they are avid collectors with walls too full with art and closets overflowing with art they have no room to hang anything anymore. My best selling item, hands down, were my art tile pendants. I even had requests for post cards as well. Seems to be a trend towards art they can use.
  • People want to talk to the artist. If they can connect with you on a personal level, they are more apt to buy your stuff.
  • Don’t put a business card in each print package. People buying multiple prints end up with multiple cards when it’s much easier (and cheaper) to simply use a mailing label with your info on it for each print instead.
  • Ugly pegboard can be covered with a variety of creative material! I saw people using canvas cloth with velcro so they could easily attach it to the boards. I used silver velvet which isn’t slippery, but still resilient enough to allow me to poke through it without damaging the cloth overmuch. It greatly improved the look of my panel.

    In the end, it was a sobering and enlightening convention. As with every year, I’ve left the art show feeling inspired to really pull out my big guns and do all I can to improve myself and my work.

    Till next time, Dragon Con! I will miss you and your $4 hamburgers:)

    Stay tuned for some picture and video spam from the con. It should all be processed and uploaded by the end of the week!