Month: February 2012

Critique Corner – “Tiger” by Kim

For the very first post in my ‘Critique Corner’ column, we have a piece by Kim Ravenfire M.  Have a sampling of Kim’s other work, for starters:

The piece up for critique today is “Tiger”:
Kim’s main concerns with this piece were basic proportions and how to make her images look more realistic in Photoshop.
The paintover:

On Colors and Textures

My first impression was that I was not surprised to hear you have background in drawing more stylized figures, Kim.  This image is very solid with bold coloration and that’s not a bad thing, persay!  Stylization can be good, but when going for a more realistic approach, keep in mind that realism is more about subtlety than showing every detail and shape.  For a furry creature, this tiger has very straight lines defining its edges (the cheeks, back, chin, etc.) and that gives the optical effect of flatness.  The solution  I went for in my paintover was to break up the fur, stripes, and edges with more brush strokes of fur texture.
As for color, realistic style calls for more subtlety in light and variation of cold and warm hues, as well.  I’ve brought a cooler tone of greenish-orange into the orange markings to bring some color variation into his coat, as well as to tie in the green of the background.  If you look closely at your tiger photo references, you’ll see that color variation they have in their coats.  It’s not a pure orange at all, but umbers, oranges, and siennas.
 
Photoshop Tips for Color Variation
A quick trick for adding subtle color variation is to paint the color you want on the highlights on a separate layer above the rest where you want variation (doesn’t matter what kind of Brush), then use the Guassian Blur filter to blur the area completely to your preference. Then, set the layer to Overlay, Lighten, or whichever Blending Mode works best (in this case, I used Screen). That usually creates a nice subtle variation without having to carefully repaint the image!
I also used a Hue/Saturation Adjustment Layer Mask to desaturate the entire piece, then masked off the center of the image so that the orange was still saturated while the rest of the image receded into a less vibrant color.  This way of creating focus by making the most detailed and brightest part of your image the focal point also helps to add realism to pieces, as Photoshop has a habit of making images naturally flat and boldly colored, if we’re not careful.  Don’t know what Adjustment Layers are? Learn them! They are super useful and save lots of time (check this tutorial for more on them).
EDIT: Another tip for color variation (which I forgot to mention during my original posting) is to start by painting on top of a pre-rendered texture.  Doing this allows for the slightest hint of textural and light complexity to shine through into your painting.
On Proportions
Looking at the nitty gritty proportions of our tiger via tiger photos shows that our subject’s nose is perhaps a little too broad, the cheeks too round, and the eyes too far apart.  I highly recommend that you do a few sketches beforehand of your creature from various angles using reference photos taken from various angles so that you can have a clearer understanding of what surfaces are involved in the bone structure. As is, the tiger’s face feels very plate-like in it’s surface shape, as if the nose, eyes, and mandible cheek fluff are all on the same surface area instead of receding into space.
The solution I used was to lessen the roundness of the cheeks while also deepening the shadows of nose.  I squared the jaw off so that it has more of it’s own distinctive shape and also moved the eyes closer together. I cheated and used the Liquify filter to push the areas into shape, but you may need to do some more layering to really make the skeletal structures and shadows convincing.  I also added cosmetic details, such as a bit of texturing and segmenting to the tiger’s nose and the very small shiny lower lip that’s usually visible on most felines.
Overall:
 
Work on breaking up your solid shapes and colors with more texture and color variation, respectively. Pay close attention to what is in focus and what is not in your compositions to bring that convincing depth of field into your work, which will really push the realism!  Finally, check out other wildlife painters.  Even if their work isn’t digital, you can still study how they translate realistic figures into the abstraction of color and how they lay out detail in their compositions.
 
“That Moment” by
Sam Hogg


Extras:
I used this wonderful brush set from Mr–Jack on DeviantART for the paintover. Maybe they’ll prove useful for you for that painterly effect!


DISCLAIMER: I am no ‘master artist’.  I am always learning, therefore, my word is not the end all, be all.  I encourage you to use this critique to your benefit and come up with your own solutions based on them…or not!

The Artist must serve the image, even if it disobeys the critics. Go forth and CREATE!


Want to send in an image for Critique Corner? 
Read on here to find out how!

In Need of Critique?

Well it seems I’m at a sort of impasse with this journal.  Lately, I’ve been returning to the basics to try and work on a few problem areas of my own art, which means working on many life drawing and technique studies.  I don’t really have anything polished enough to share, so sharing of art processes has been less of late, which leaves me with only reviews, analysis, and advice to post here currently.  I’d love to get back to the Games as Art series, but that would mean I’d need to make time to play (or replay) the games I intend to analyze, which will have to go on the backburner till I have more time.  Never fear, for once I have a few more collections of studies, I’ll certainly share them here along with what I’ve been learning!

For now, I’m wondering if any of you might be interested in a critique feature?  Do you have any images you’re working on that have you stumped?  Or are you just looking for feedback to help improve a particular piece?  I’d love to help you get some extra exposure here with my readers in addition to critique, while also helping me to sharpen my visual problem solving skills.  It is my firm belief that to grow as an artist, critique (and self-critique) are some of the most important skills we can develop!  Practicing giving critique would be helping me out as much as it would be helping you out.  I can also put a few of your other finished pieces in the post so it’s a nice little feature of your art, in addition.
Where critique posts are concerned, I would be doing a complete in-depth description and paintover/redline based on what kind of critique you’re looking for in the piece.  I am hoping to do this at least once a month, if not more (should I get enough images to critique).  This is a nice option for those of you who do not feel quite ready for the full portfolio review just yet and would rather concentrate on a single image.  Be warned though. This is for serious critique only. If you have a fragile shell, you may not want to apply as I intend to be very straightforward with constructive criticism.
For a sample of how my critiques usually go, you can peek at my critiques on DeviantART.
TO APPLY:  Send an email to angela (at) angelicshades.com with the subject line “Critique Corner” including the following in your message:

  • Your art in an attachment (or a direct link to the work)
  • A brief description of the kind of critique you’re looking for (focus on anatomy, composition, etc.)  If you’re unsure, you can just say ‘seeking general critique’.

FOLLOW UP: If you’d like me to feature your completed work that was featured previously in Critique Corner, feel free to send me a link to it once it’s done and I’ll feature it in a future Critique Corner post!  It’d be fascinating to see how you implemented the solutions suggested in these posts, or springboarded onwards to your own ideas.
So tell me. What else would my dear readers like to see in this blog?  What are your favorites posts or subjects so far?  I’d love to know so I can keep talking about what you guys want to hear!