Tag: Art Nouveau

UNKNOWN NOUVEAU: Gaspar Camps

While I’m busy grinding away braincells on Lady of July ‘s many flower buds, I wanted to introduce you to another Art Nouveau artist I had never heard of!  Gaspar Champs hailed from Spain and spent a large part of his career in France.  He was very heavily influenced by Mucha, so much so that he became known as the ‘Catalan Mucha’.

Like my previous feature of Élisabeth Sonrel , I love how Camps brought his own unique flair to Alphonse Mucha’s line style.  At times, Camps’ work feels more abstract with his figures melting into the details of his images.

I also love the sense of light bouncing in his more painterly work.  What a joy it was to discover him!

If you want to see more of these art features, view them all at once here .

SKETCH DIARY: Lady of June

My journey continues this month with Lady of June!  Lady of November represented a milestone of high quality and attention to detail in this series that was hard to beat!  How could I make the rest of the Ladies as good as November?  That was the difficult challenge I set for myself as I moved on to this month and ventured into the first of the Ladies of summertime!

After the dark whimsy of Lady of November, we’ve returned to the Ladies of Summer!  Admittedly, this Lady has been a challenge thus far.  While November had a lot of amazing imagery to play with, June is more of a subtle time of year.  Its celebration of youthfulness and young brides reminds of May’s themes, with one of the only unique events being the Summer Solstice.  I’ve been struggling to find Lady of June’s unique visual story to make her different enough from the other Ladies, but that’s what research is all about!

MOOD BOARD

One of the most prominent themes I found while researching the Summer Solstice via Pinterest image gathering was the celebration of Litha and the Sun Wheel.  The Solstice celebrates the reigning power of the Sun.  The Sun Wheel was an old tradition where a representation of the sun was set aflame and rolled down a hill to symbolize its shifting phases.  As soon as I saw the Wheel, I knew it’d be the perfect inspiration for the mandala window!

RESEARCH NOTES

Research for the Ladies always begins with the origin of the month’s name.  In this case, June was named for Juno, the goddess of marriage and well-being of women.  She was also wife to Jupiter/Zeus.  I look across different cultures and see what about this time of year strikes a chord with humanity.  June in the northern hemisphere is a high point of Summer, a time of divination, and a powerful phase of feminine power.

Writing notes helps me to search out the imagery and symbolism I want to include in this Lady’s painting.  I think of flowers, plants, and brides.  The symbol of the well as a tool of divination also struck a chord with me, which is why it shows up so much in my thumbnail sketches.


 THUMBNAIL SKETCHES

Many of these thumbnails explore using water in a well or pond as a divination tool.  2 and 4 feel a little close to Lady of March, with 4 feeling a bit more like a representation of Vanity.  3 captures a more traditional bridal theme, while 1, 5, 6, and 7 seem to capture that theme of a bride searching for her love in the reflection for a more unified theme.  In the end, my favorites are 1, 5, and 6, with 5 and 6 having the clearest shapes and classical feel.

Character Posing

Read more

SKETCH DIARY: Lady of November

My journey continues with Lady of November!  I’ve been looking forward to this Lady for quite some time, being a November birthday, myself!  She’s a very special Lady who challenged me more than any of the others had before with the ambitious ideas I wanted to implement.

November, November!  I’ve been looking forward to this month for a while, not only because it is my own birth month, but because it represents my favorite time of year – Autumn and a time of spooks and spirits!  I decided to skip ahead in this series so that I might be able to finish some of the later Ladies by the time I reached the end of this year.  But never fear, the other Ladies of the summertime will be explored come next year!

Mood Board

mood-board-lady-of-november-lowres

Lady of November’s mood board on Pinterest.

Read more

SKETCH DIARY: Lady of April

My journey continues this month with Lady of April!  Lady of March broke through creative boundaries with her unique imagery and presentation.  That once again made the pressure high for Lady of April! I had to work through art block with this piece, but in the end, powering my way through equaled something grand!

Brainstorming:

lady-of-april---notes
My research began initially with some overlap with Easter, since Easter is a movable feast that can take place in March or April.  I initially thought I’d make March and April inverted twins of sorts, but I moved away from this idea by the end, though you’ll notice both Ladies still stand in water, representing renewal.

Over the course of my research, I discovered the festival of Demeter which is a famous April celebration.  Women dressed in white take torches into the dark of night, representing Demeter searching for her daughter, Persephone, the goddess of Spring.

I also noticed many cultures in the northern hemisphere take this time of year to honor trees with arbor festivals.  In the end, the imagery of fire, light, and the growth of trees that came up during research helped April to emerge in her final form.

You’ll notice in some of the thumbnails pictured below, I represented Easter by including rabbits, symbols of fertility and light bringers, though I eventually moved away from this imagery in favor of focusing on the Lady holding a tree, evoking her as a giver of life and promoter of growth.  In the end, I preferred this unique imagery over repeating Easter’s themes.

 

Reference Gathering:
A mood board helps organize my muse’s random visions into something I can translate into my painting.

lady-of-april---mood-board-lowres
A peek at a small section of Lady of April’s secret board on Pinterest. Read more

SKETCH DIARY: Lady of February Part 2

Last Sketch Diary, I talked about the research and design process.  Now, I’m diving into all the lovely details that make up the character and the mythos around her.

Before I could move on with this piece, I had to make a decision about the pose.  I ended up choosing pose 3 because I like the playfulness of it.  The other poses were too assertive or too tragic looking when February is meant to be more welcoming and playful.  The subtle smile really sold me on this pose too.

With the pose figured out, my next big decisions involved sorting out the character and her setting.  From the start, I knew I wanted to have clootie (hanging prayer cloths), a sacred well, and the beeswax candles, all which harken back to some of the most provocative imagery of February, mainly with saint and goddess Brigid and sacraments of purification involving the beeswax candles.  February also clutches an arrow representative of Cupid’s Arrow and the season of love.

I had already established a common element of corset, head garland, and dress with the past Ladies.  The corset, especially, is a nice area to include the birthflower element or other symbolic element.  I’ve also included a candle crown much like Lady of December‘s, but February’s candles have burned down to represent the end of Winter.  Her crown is also flowering, representing the presence of Spring.  With all of this in mind, I did some sketching in my croquis sketchbook first:

feb-fashion
Pen and marker on a croquis template.

With these basic costumes in mind, I blocked them in quickly in Photoshop and also explored more wardrobe combinations by cutting elements from each outfit and combining them.

Next, I block in the shape of the flowers at the bottom to make sure they work with the elements of the composition.  This also helps me make a final decision about which outfit to go with, since I can see how all the elements work together to fill up the space.  I don’t want it to be too busy, which is very easy to do in such a narrow space.

lady-of-feb-composition

The arrangement on the right is my winner because it allows for some of the background elements (ie. the well, more of the candles) to be shown more clearly.  With my major design decisions settled, it’s time to move on to refinement!

Next: Reference gathering, detail refinement, and color testing!

REMINDER!  Don’t miss the opportunity to pre-order Limited Edition prints of Lady of February via Patreon!
Other Rewards include process tutorials, coloring book pages, etc.  Check it out!

Sketch Diary: Lady of February Part 1

It’s been about a year since I completed Lady of January.  A tumultuous 2015 kept me from really indulging in this project, but I’m happy to be back at it full force now that the storm has passed!

Inspiration:
I always begin the brainstorming for each month by examining the origin of each month’s name.  February was named for the Roman festival of purification called Februa.  Digging deeper into February revealed even more interesting symbolism with Brigid (both a goddess and a saint) and the martyred Saint Valentine, the namesake of Valentine’s day.

I like to jot down my notes and thoughts, along with symbolism in a list that helps my subconscious start absorbing and processing the imagery before I move on to making thumbnails.  I also start a mood board on Pinterest, which is a great place for visual meditation on a topic.

Lady of February Notes
Instead of typing this out, I like to physical write it out on paper. This helps me retain the information better.

 

lady-of-feb-pinterest-board-low-res
An excerpt from my secret Pinterest board for Lady of February.

Thumbnailing:

Once I’ve identified the imagery that resonates with me the most, I begin thumbnailing, usually in pencil with ink and white color pencil on toned paper so I can get a basic idea of my value structure and composition from the start.  For February, I was very drawn to the imagery of Brigid, especially of the sacred wells and blessing ties (or clootie) that are left around her sites.  I also feel that Cupid’s arrow is a strong symbol for this month, but I didn’t want to get too overdone as far as Valentine’s imagery goes.

I’ve also filled the background with what will be beeswax candles, which are often utilized in blessings for Candlemas and Imbolc during February.  I’ve pictured February with a candle crown similar to Lady of December with the intent to mirror her symbolism, while also harkening back to the flame of Brigid.  While Lady of December ushers in Winter, the Lady of January closes the door of Winter and welcomes Spring.  I also like the idea that while Lady of December’s crown was metal, January’s will be blooming with flowers.

We’ll see what sticks as this image develops, however!  It’s a very intuitive process when you’re working with such abstract concepts and themes.

lady-of-feb-thumbnails lowres

 

Rough Compositions:

The poses that stand out the most for me were 1, 3, and 5, but I still couldn’t make up my mind!  To help me out, I take the stock photos I’ve been referencing and, with a bit of photobashing, lay them all out next to one another to see how the poses look on the actual template of the window shapes I’ve already defined.

lady-of-feb-poses-low

This time, 2 seems the strongest and fits the space well, though she bears a resemblance to January’s pose that might be too strong.  I like how assertive this pose feels, while the others like 1 and 4 are more shy and submissive, while 3 is pensive and playful.

Window Design:

While I ponder on making up my mind about what pose to go with, I at least know that a good majority of the window design will be shown behind the figure instead of covered up (like it was in January with the veil, where I had to make sure the flower designs in the window were on the sides so that they were viewable).

Designing a window starts out very rough.  I lay in where I want the main foci of the design to be, remembering to keep in mind the shapes of the flowers, like Violets, which bloom in tight bunches with round leaves.  I sketch knotwork and design elements loosely, rotating as needed until it hits all the sweet spots.

lady-of-feb-window-process-lowres

Window #1 hit the right sweet spots, but then the celtic knotwork clashed with the weaving motif I’d been working with based on saint Brigid’s cross.  The 2nd design feels more consistent with the interlocking star shape that echoes the woven design.  I’ve also arranged the secondary circle of flowers in a way that I feel utilizes the space better.

Next: Creating narrative design elements and composition!

REMINDER!  Don’t miss the opportunity to pre-order Limited Edition prints of Lady of February via Patreon!
Other Rewards include process tutorials, coloring book pages, etc.  Check it out!

SKETCH DIARY: Lady of January

This series began as my annual Christmas card back in 2012 and as a homage to Mucha’s stunning series “The Precious Stones”!  I’m a long time fan of Alphonse Mucha ever since I discovered his work years ago in college and fell in love with his graceful, intricate compositions.  I thought it’d be fun to challenge myself to an entire series in this detailed and decorative mode of work.  The Lady of December sat alone as the only entry into this series until I recently decided to pick it up again!

The Four Gemstones by AngelaSasser

“The Precious Stones” Female figures embodying the gemstones Ruby, Amethyst, Emerald, and Topaz.

Lady of December by AngelaSasser
“Lady of December,” Digital Painting, 2012.

I had tried to do a monthly series before in the form of a series of angels, but I wasn’t quite satisfied with the layout of the composition of the first entry in this series.  The window and the figure felt disconnected, while the background seemed too empty with too much wasted potential.

Angel of January by AngelaSasser
“Lady of January,” Digital Painting, 2011.

 

Read more